Frankenstein, feminism and the forbidden: a “Frankenstein” (2025) review Loren Barjis, Print Copy Editor Nov 21, 2025
‘Everything Everywhere All at Once’ review: A game changer Jack Harris, Online Copy Editor and Arts Editor May 4, 2022
‘The Northman’ review: Incredible(y brutal) Jack Harris, Online Copy Editor and Arts Editor Apr 27, 2022
‘The Alpinist’ review: the contradiction of Marc-Andre LeClerc Jack Harris, Online Copy Editor and Arts Editor Mar 2, 2022
How does Joel Coen feel about ‘The Tragedy of Macbeth?’ Jack Harris, Online Copy Editor and Arts Editor Jan 19, 2022
‘Licorice Pizza’ review: a 1970s slice of life Jack Harris, Online Copy Editor and Arts Editor Jan 12, 2022
‘C’mon C’mon’ review: Mike Mills’ best film yet Jack Harris, Online Copy Editor and Arts Editor Dec 10, 2021
‘Ghostbusters: Afterlife’ review and the state of modern cinema Jack Harris, Online Copy Editor and Arts Editor Nov 22, 2021
‘Last Night in Soho’: An experience to remember, a script to forget Jack Harris, Online Copy Editor and Arts Editor Nov 2, 2021
‘Titane’ review: horrifying, traumatic and groundbreaking Jack Harris, Online Copy Editor and Arts Editor Oct 18, 2021